Tag Archives: october2017

‘Anya Kneez’: the trials and triumphs of a queen in Beirut

A drag queen dressed in a stunning, all-white ensemble is illuminated by a strikingly beautiful array of neon lights that greets the viewer in the opening sequence of Anya Kneez: a Queen in Beirut. In what can only be described as a dreamy trance, set to the recurring tone of club music, Anya demands the attention of the viewer from

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Yorgos Lanthimos makes stunning psycho-thriller debut with ‘The Killing of a Sacred Deer’

Greek filmmaker Yorgos Lanthimos came into the spotlight only a year ago with the release of The Lobster. The acclaimed film was set against a quirky premise: single people must find a mate within 45 days or be turned into animals and sent to the wild – sounds disastrous, but Lanthimos’s film-making skills coupled with an Academy Award-nominated original script

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On the art of adapting anime: why Netflix’s ‘Death Note’ is an unsurprising flop

A notebook with the ability to kill people falls from the skies and into the hands of 17 year-old Light Yagami, an arrogant, power-obsessed high school genius seeking a utopian world free from crime and corruption. When Death Note premiered in 2006, the anime adaption of the popular Tsugumi Ohba-penned manga series of the same name captivated audiences almost overnight.

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Today in queer cinema: ‘Call Me By Your Name’ and ‘In A Heartbeat’ dazzle

Earlier in the year, and after a now notorious slip, Moonlight walked away with the coveted Best Picture Oscar, making it both the first LGBT movie and the first indie movie to win Oscar gold in the category – a historic win. 2015’s Carol and The Danish Girl were the only other the LGBT-themed movies to have scored more than a few Oscar nods

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