Over the past couple years, the Lebanese government’s censorship bureau has banned (and unbanned) an increasing number of films slated for a local release because they possess what the bureau perceives is content that directly jeopardises national safety and century-old, traditional mindsets. From Annabelle: Creation to The Post to Maroun Baghdadi and Danielle Arbid’s filmographies, not… Read More On banning Rana Eid’s ‘Panoptic’: who will tell our stories?