After showing her film Weeping Willow in multiple international films festivals, Lebanese student filmmaker Krystel El Koussa sits down with Reel Rambler to discuss her film, why she made it, and what her future plans are.
Ahead of their documentary film Spaces of Exception’s premiere in Lebanon at Sursock Museum, directors Matt Peterson and Malek Rasmany sit down with Reel Rambler’s Ayman Makarem to talk about the film and their project, The Native and the Refugee.
Over the past couple years, the Lebanese government’s censorship bureau has banned (and unbanned) an increasing number of films slated for a local release because they possess what the bureau perceives is content that directly jeopardises national safety and century-old, traditional mindsets. From Annabelle: Creation to The Post to Maroun Baghdadi and Danielle Arbid’s filmographies, not to mention the vehement avoidance
When people first caught wind of a film about Beirut being made by a major Hollywood studio, a combination of excitement and worry filled the air with many wondering whether or not the film, titled Beirut, would accurately represent the country. Early in January, however, the prospects of that depiction became bleak with the release of the trailer for the
After months of speculation, the Academy Award nominations were announced today, and for the first time, Lebanon has been nominated for the Academy Award for Best Foreign Language Film. Directed by Ziad Doueiri, The Insult tells the story of a politically-affiliated, Lebanese mechanic and a Palestinian blue collar worker whose small feud escalates to a nationwide phenomenon, prompting questions of